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The role of intermediary organizations in the development of the creative sectors.
Eleonora Ariolfo, Anna Giribet, Filippo Malerba, Davide PerissuttiDone
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The State of Street Art – Culture and Community
Giuseppe Boron e ospiti variDone
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The state of street art – A brief overview and current developments
Giuseppe Boron e ospiti variDone
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Promotion, distribution, management, and market
Eleonora Ariolfo e Federico TosoDone
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Welcome speech and opening theme
Elisabetta Radice e Mattia Abdu IsmahilDone
Massimo Pontoriero
President of UNISCA – the Italian Union for Live Performance. For years he has been engaged in the promotion and institutional recognition of performing arts in public spaces, working to foster connections between artists, local authorities, and communities. He plays an active role in national and local policy dialogue, advocating for stronger representation, regulatory frameworks, and collaborative networks for the sector.
Matina Magkou
Researcher at the Université Côte d’Azur (Nice) and consultant in cultural policy and international cooperation. She leads the SPARK project of the Circostrada network, focused on innovative approaches to research and documentation in public space arts. With extensive experience in European project development, audience engagement, and cultural governance, she collaborates with academic institutions and artistic networks across Europe, bridging theory and practice in the cultural field.
Chiara Chiappa
Labour consultant specialized in labour law and welfare systems for professionals in the cultural and performing arts sectors. She is President of Centro Studi Doc, a research and policy institute focused on innovation in cooperative, cultural, and creative work. For years, she has supported public institutions, third-sector organizations, and artistic entities in building sustainable and inclusive models for cultural labour. She is one of Italy’s leading voices advocating for active policies and legal tools to protect and empower creative professionals.
Professions, practices, and tools for navigating artistic professionalism in outdoor arts.
- New performing arts code and mapping professions: OAI advocated for Outdoor Arts' recognition in the new performing arts code. It's crucial to map the new, often multidisciplinary, professions within this sector to tailor support and training effectively. What are the lines of inquiry and data collection methods for mapping specific new professions and skills, under the coordination of UNISCA, and why is it important not to miss this turning point?
- Professionalism, practices and international exploring tools: actively participating in networks like Circostrada, Outdoor Arts Italia contributes to shaping the strategic directions and experimental projects within the outdoor arts sector, thereby opening up new opportunities for its development and stakeholders. The adoption of codes of conduct that promote ethical standards and the ongoing investigation of good and bad practices in the sector find European resonance in a platform for discussion that aims to develop indications and guidelines for policymakers: composition, objectives, and practical actions of Circostrada's Spark program.
- Problems, practices and national resources: problems in the sector necessitate good practices, networking and learning from international models. Crucially, continuous mapping and documentation by national entities like Centro Studi Doc contribute to international research on the sector's status and needs. The cooperative model could be a virtuous approach to ensure the rights of artists and workers and to act as a territorial antenna capable of gathering, reporting, and sometimes anticipating developments, issues and innovative practices in the sector.
